Becoming Real

One of my favorite readings at this time of you, is a gift to you. Enjoy. May your Christmas be merry and bright, and your New Year sparkly and exciting. Thank you for traveling with me this year, and hope we stay connected in the years to come.

Excerpt, from The Velveteen Rabbit:

                  Christmas Morning

For a long time he lived in the toy cupboard or on the nursery floor,
and no one thought very much about him. He was naturally shy, and
being only made of velveteen, some of the more expensive toys quite
snubbed him. The mechanical toys were very superior, and looked down
upon every one else; they were full of modern ideas, and pretended
they were real. The model boat, who had lived through two seasons and
lost most of his paint, caught the tone from them and never missed an
opportunity of referring to his rigging in technical terms. The Rabbit
could not claim to be a model of anything, for he didn't know that
real rabbits existed; he thought they were all stuffed with sawdust
like himself, and he understood that sawdust was quite out-of-date and
should never be mentioned in modern circles. Even Timothy, the jointed
wooden lion, who was made by the disabled soldiers, and should have
had broader views, put on airs and pretended he was connected with
Government. Between them all the poor little Rabbit was made to feel
himself very insignificant and commonplace, and the only person who
was kind to him at all was the Skin Horse.

The Skin Horse had lived longer in the nursery than any of the others.
He was so old that his brown coat was bald in patches and showed the
seams underneath, and most of the hairs in his tail had been pulled
out to string bead necklaces. He was wise, for he had seen a long
succession of mechanical toys arrive to boast and swagger, and
by-and-by break their mainsprings and pass away, and he knew that they
were only toys, and would never turn into anything else. For nursery
magic is very strange and wonderful, and only those playthings that
are old and wise and experienced like the Skin Horse understand all


about it.

"What is REAL?" asked the Rabbit one day, when they were lying side by
side near the nursery fender, before Nana came to tidy the room. "Does
it mean having things that buzz inside you and a stick-out handle?"

"Real isn't how you are made," said the Skin Horse. "It's a thing that
happens to you. When a child loves you for a long, long time, not just
to play with, but REALLY loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When
you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit
by bit?"

"It doesn't happen all at once," said the Skin Horse. "You become. It
takes a long time. That's why it doesn't happen often to people who
break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved
off, and your eyes drop out and you get loose in the joints and very
shabby. But these things don't matter at all, because once you are
Real you can't be ugly, except to people who don't understand."

"I suppose you are real?" said the Rabbit. And then he wished he had
not said it, for he thought the Skin Horse might be sensitive. But the
Skin Horse only smiled.





The Skin Horse Tells His Story

"The Boy's Uncle made me Real," he said. "That was a great many years
ago; but once you are Real you can't become unreal again. It lasts for
always."

The Rabbit sighed. He thought it would be a long time before this
magic called Real happened to him. He longed to become Real, to know
what it felt like; and yet the idea of growing shabby and losing his
eyes and whiskers was rather sad. He wished that he could become it
without these uncomfortable things happening to him.

There was a person called Nana who ruled the nursery. Sometimes she
took no notice of the playthings lying about, and sometimes, for no
reason whatever, she went swooping about like a great wind and hustled
them away in cupboards. She called this "tidying up," and the
playthings all hated it, especially the tin ones. The Rabbit didn't
mind it so much, for wherever he was thrown he came down soft.

One evening, when the Boy was going to bed, he couldn't find the china
dog that always slept with him. Nana was in a hurry, and it was too
much trouble to hunt for china dogs at bedtime, so she simply looked
about her, and seeing that the toy cupboard door stood open, she made
a swoop.

"Here," she said, "take your old Bunny! He'll do to sleep with you!"
And she dragged the Rabbit out by one ear, and put him into the Boy's
arms.

That night, and for many nights after, the Velveteen Rabbit slept in
the Boy's bed. At first he found it rather uncomfortable, for the Boy
hugged him very tight, and sometimes he rolled over on him, and
sometimes he pushed him so far under the pillow that the Rabbit could
scarcely breathe. And he missed, too, those long moonlight hours in
the nursery, when all the house was silent, and his talks with the
Skin Horse. But very soon he grew to like it, for the Boy used to talk
to him, and made nice tunnels for him under the bedclothes that he
said were like the burrows the real rabbits lived in. And they had
splendid games together, in whispers, when Nana had gone away to her
supper and left the night-light burning on the mantelpiece. And when
the Boy dropped off to sleep, the Rabbit would snuggle down close
under his little warm chin and dream, with the Boy's hands clasped
close round him all night long.

And so time went on, and the little Rabbit was very happy-so happy
that he never noticed how his beautiful velveteen fur was getting
shabbier and shabbier, and his tail becoming unsewn, and all the pink
rubbed off his nose where the Boy had kissed him.

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