I've been stressing about getting some edits done. Editing is not my favorite thing. I like the writing part. When I first began my writing career, I was so inspired by Diana Gabaldon that I emailed her and asked her about her process. The conversation went something like this:
Me: So how do you edit your story without eviscerating the characters, losing the love for the story while you pay attention to all the technical parts of the words, of the craft?
DG: O.M.G. I LOVE the editing process. That's how I polish it up, reveal the real jewels of the story, find the buried treasure. That's where my story comes to life.
Me: So, how many pages do you write a day? What's your schedule?
DG: I get up to fix breakfast for my husband and then go back to bed, or answer some work-related items, get up again around 11 and write until mid afternoon. Then family activities, shopping, getting ready for dinner. I have dinner with my husband and after everyone is in bed and asleep, I go back to writing until 2-3 AM. Then I go to bed. I'm lucky to get 1500 words a day in.
Ahem. Clearly, I am no Diana Gabaldon. Now, she may have changed her schedule a bit since that little email some years back, but it became clear to me the two of us approach things in completely different ways. I can write 5,000 words in a day, and have done it many times. I've written 92,000 words in 30 days and 50,000 words in a month many times. She writes slow and loves to edit. Hmmm. And she sold how many books?
I had the opportunity to attend a weekend workshop with Margie Lawson at Asilomar on the beautiful Monterey Coast this weekend. I asked her where to begin applying all her lessons to my WIP. By the end of the weekend, it was beginning to look like a piece of stinky laundry. I told her that the thought of going into deep edits clearly with six different highlighters gave me a visceral reaction sending my blood pooling around my ankles like pudding. That was a pink, for those of you in the know.
She said to start with the dialogue, blue. Then do the emotional/visceral reations, pink. But to do one at a time. While doing the blue, you could recognize the dialogue descriptors and plump them up, then look at the pink and look at the appropriate power words...and then....and then... In other words, do them one at a time. Print out the assignments one at a time.
This morning I was at a meeting and I heard someone say they read just two pages a day from a book that helps them. Two pages. They stop in the middle of the word or sentence or paragraph and only read two pages. Because eventually, the whole book will be read cover to cover, two pages at a time.
So how will I attempt to do the deep editing of my WIP? One chapter at a time. I will apply all the lessons, one at a time, each color one chapter at a time. And eventually, the whole book will be deep edited.
I'll get out my prospecting clothes and big glasses, and look for all those jewels lurking. I know they're there. And now I have a method to find them.
Thanks Margie. Thanks Diana.
How about you? How do you tackle the hard part of editing your work in process, or some other thing you find tedious, looking like Half Dome in your mind?